Bacon was in his 60s when he met the young George Dyer. Their relationship, although romantic, always had the sense of a father-son dynamic. Dyer was constantly in need of attention and reassurance, and the naked embryonic form kneeling precariously on a ledge expresses his vulnerability. The circular sofa, however, surrounds him in a protective embrace. Uncharacteristically, the coloring is light and subdued, although the red and green highlights hint at an inner struggle. Dyer suffered from a lifelong addiction to drugs and alcohol, which is alluded to by the painted figure looking downward into a central abyss.